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Drawing & Painting ( D & P ) - Introduction & Scope :
Drawing & Painting ( D & P ) is an important creative skill arising out of the discipline of humanities & fine arts. Drawing & Painting ( D & P ) skills have been around since time immemorial. It has been constantly evolving and forms an emerging industry worldwide. Drawing & Painting ( D & P ) brings different cultures, religions, castes, nations, communities on the same page. Drawing & Painting course comprises of the study of Indian Arts, Western Arts, Eastern Art and other forms of arts types. Application of various colours, pastels, oils and water is leveraged to effect creative paintings. Human Body and it's various possible poses are studied, as well as translated into Drawings and Paintings. Head studies, drawings of life & nature are researched upon. Various combinations of colours, pigments and their contrasting features are well touched upon. Specialised print making features on cardboards, papers and clothes are extrapolated through mono prints in one or more colours. Even modern applications of science and technology are leveraged through research into Two dimensional and Three Dimensional designs. Constructions through memory recollections and observations are greatly emphasised. Cutting it short, good Drawing and Painting skills lead to enhanced aesthetics and artistic expressions. They assist in bringing out deeper insights and penning down an individual's inherent thought process. We should all understand the significance of this creative skill and ensuing open expressions through artistic projections.
Thus, Wise Turtle Academy attempts to deliver extremely good quality "Drawing & Painting ( D & P ) Online Workshops" over weekends and weekdays with customised morning and evening sessions. Related sessions & workshops are organised in localities near you and near me in Greater Noida, Greater Noida West, Delhi NCR, Gurgaon ( Gurugram ), Ghaziabad, Faridabad, Mumbai, Pune, Hyderabad, Bangalore ( Bengaluru ) and other major Indian locations, as well as International locations. These classes are successfully delivered through Online Tutoring & Home Tutoring modes to the students of all schools, colleges and even recreational adult learners. The prominent areas of Greater Noida covering "Drawing & Painting ( D & P ) Online Tuition Classes" & Online Tutoring services are Pari Chowk, LG Chowk, Gamma 1, Xu 1, Pi 1, Sigma 1, Gamma 2, Alpha 1, Alpha 2, Xu 2, Pi 2, Sigma 2, Beta 1, Beta 2, Xu 3, Pi 3, Sigma 3, Xi 1, Xi 2, Phi 1, Phi 2, Sigma 4, Xu 4, Pi 4, Phi 3, Pi 5, Phi 5, Omicron 1 A, Omicron 2, Omicron 3, Zeta 1, Zeta 2, Eta 1, Eta2, Delta 1, Delta 2, Knowledge Park 1, Knowledge Park 2, Knowledge Park 3, Jaypee Greens ( Narmada Gate, Star court Towers 1 2 3 4 5 6 7 8 9 10 ), Omaxe Connaught Place Mall, Rampur Jagir Chowk, Alpha Commercial Belt, Surajpur, Sharda Hospital, Sector 150, ATS Pristine Sector 150, Sector 144, Sector 143, Sector 27, Sector 90, Sector 78, Sector 76, Sector 75, Sector 77, Sector 79, Sector 80, Sector 91, Sector 92, Sector 93, Sector 94, Sector 95, Builder's Area, Pocket P 7, Swarna Nagari, Tughalpur Village, Kasna, Greater Noida Expressway, Yamuna Expressway, Sector 31, Sector 32, Sector 33, Sector 34, Sector 35, Sector 36, Sector 37, sector 38, sector 39, Sector 40, Sector 41, Sector 42, Sector 43, Sector 45, etc.. There are many more areas, that are covered under our services for "Drawing & Painting ( D & P ) Home Tuition Classes" and Home tutoring. In case, your residential areas near me in Greater Noida & Greater Noida West don't show up in the list of above prominent areas, please contact us directly to clarify further.
Following is the general outline of syllabus for college level course of BA - Bachelor of Arts ( BA - Fine Arts - Drawing & Painting ( D & P ) - Year 1 ) :
GROUP – I ( Theory )
1. HISTORY OF ART
A) Indian Art : Indus civilization, Mauryan Art, Shuga Art, Andhra Art, Kushan Art, Gupta Art.
B) Western Art : Prehistoric Art, Egyptian Art, Mesopotamian Art, Minoan & Mycenaean Art, Greek Art, Roman Art.
C) Far Eastern Art : Art of China and Japan.
GROUP – II ( Practicals )
2. DRAWING ( MANMADE & NATURE ) :
Study from manmade objects and nature with emphasis on construction.
Perspective and rendering in linear and massive drawing.
Experience with material quality for feel.
Values in grey,
texture and colour in rendering.
Use of media – pencil, charcoal, pen & ink, crayon etc.
3. HEAD STUDY
Rendering of Head from cast for construction and proportion of human head.
Anatomy of human face with lines, masses & effect of light and shades.
4. DRAWING FROM LIFE
Mainly based on general form and gesture.
Observed and studied in pencil, charcoal and pastel medias in various light conditions.
5. PAINTING ( 2 - D DESIGN )
Study of Visual Elements, Point, Line, Planes and Shapes.
Study of Design Principles,
Organization in space ( positive and negative ).
Basic and free shapes- Line, Colour, Tone, Texture, Form and Space.
Perception of colour, Light and Pigment theory,
Understanding of Primary and Secondary colours.
Colour Wheel and various Colour Schemes derived from it.
Split and Double Split Complementary Colour Scheme.
Gray Scale, Keys and Contrast.
Practical application of Colour Theory in Practice Assignments.
7. PRINT MAKING
Fundamentals of various methods of taking prints.
Rubbing, Potato Print.
Mono-print in single or two colours with various types of materials and their combinations, viz. paper, card board, cloth etc.
8. DESIGN 3 - D
To develop the sense of structure,
operational problems in building up structures, such as cube, cone ,sphere, cylinder, slab sect.
Organization of forms for 3-D design.
Use of paper, board, soap, plastic, wire etc.
Use of elements and principles of 3-D design.
9. MEMORY DRAWING
To develop the sense of observation,
the capacity to retain and recall images, as well as their coordination.
Study of basic solids.
Plan & Elevation.
Main aspects of Parallel and Angular perspective.
Wise Turtle Academy has very good experience in delivering "Drawing & Painting ( D & P ) Skills" that relate to English medium School Boards, viz., CBSE - Central Board of Secondary Education, ICSE - Indian Certificate for Secondary Education, IB - International Baccalaureate, NIOS - National Institute of Open Schooling, IGNOU - Indira Gandhi National Open University, Private Candidates, Uttar Pradesh State Board of Secondary & Senior Secondary Education, Rajasthan Board of Secondary & Senior Secondary Education, other State Boards and Private Patrachaar candidates. We offer quality oriented, contemporary, educational & learning support through flexible hands-on practicals, demonstrations, skills sharing workshops, seminars, impromptu expressions of skills, etc., over weekends & weekdays, through successful morning & evening sessions. "Drawing & Painting ( D & P ) Classes" & learning support services are provided by our best, experienced and result oriented Online Trainers and Home Trainers near you and near me in Greater Noida and Greater Noida West.
Following is the general outline of syllabus for college level course of BA - Bachelor of Arts ( BA - Fine Arts - Drawing & Painting ( D & P ) - Year 2 ) :
GROUP I (Theory)
1. HISTORY OF ART
a) Indian Art – Medieval temple architecture – Chalukyan period, Rashtrakuta period, Pallava period, Chandella period, Eastern Ganga period.
b) Western Art - Early Christian Art, Byzantine Art, Romanesque Art, Gothic Art, Renaissance.
Section – A
Introduction to Art & Aesthetics
1) What is Art : Art as a social phenomenon, Art as object of perception.
2) Aesthetics Activity : The diversity of its forms; The Aesthetics & Artistic design
3) Ideas of life and art according to Indian philosophy.
4) Early references to Art and Beauty.
5) Indian Aesthetics and it’s relations to philosophy and relation.
6) The theory of RASA and it’s applications to various Arts.
7) Plato’s views on Art and Aesthetics..
8) Aristotle’s theory of imitation and the concepts of catharsis.
9) Beauty and ugly : Views of Plotinus, St. Augustine and David Hume.
10) Sublime : Views of Longinus Burke and A.C. Bradley.
11) Bosanqite : Three lectures on Aesthetics.
1) BharatiyaChitrakala by B.M. Dabhade
2) Philosophics of India by Heinrich Zimme
3) Indian Sculpture and Painting by E.B. Barell, Chap III
4) Rasa BhavaVichar by R.P. Kangale.
5) The republic by Plato – Chap X
6) Aristotles Theory of Pretry and Fine Arts by S.H. Butcher
7) Aristotle the kayasastra by G.V. Karandikar
8) Studies in Iconology by Erwin Panofsky Chap. VI
9) Aesthetics by Yuri Borev.
10) Prachin Bhartiy Kala ani Adhunik Jahirati
Lekhan: Dr. Muktadevi Prashant Mohite
Prakashak- Visa Buksa
GROUP II (PRACTICAL)
4. STILL LIFE
Study of various objects ( Natural and manmade ; groups with background ) rendering to be done in pencil, charcoal, water and oil.
Study of light fallen on various objects arranged on still life platform with the relative proportion between each other.
5. HEAD STUDY FROM LIFE
Study of the head through different directions and angles.
Anatomical structure of the head, it’s plain, depth, raised portion and the parts of the head.
Rendering to be done in pencil, charcoal, water, oil, acrylic and oil pastels.
6. DRAWING FROM LIFE
Drawing from life and nature in pencil, crayon or inks,
Observation and rendering of proportion of human body and nature,
various forms of indoor and outdoor sketching from life and nature,
Visits to Zoo and Museum.
In water colour, coloured pencils or coloured inks.
Extension of Painting
Arrangements of figures and forms in pictorial space,
expression of specific mood and emotions.
Assignments should be based on realistic forms.
8. PRINT MAKING
Theory – General information regarding various categories of print making into the surface of a printing block, viz.,
Plano-graph, relief process, intaglio and stencil.
The method and materials used in various processes of print making viz.
Lino cut, Wood cut,
Knowledge of terminology and mounting a print.
Wise Turtle Academy is absolutely sure that it's quality conscious and comprehensive "Drawing & Painting ( D & P ) Trainings" will benefit the students immensely. The Drawing & Painting ( D & P ) Online tutors and Drawing & Painting ( D & P ) Home tutors come from various educational backgrounds, namely, Engineering, Management, Medical, Humanities, Commerce, and more. With adequate qualification, strong competency and rich experience carried by the teachers, it'll be an easy and straightforward task to instruct, guide, train and tutor the students. Trust and mutual understanding among the Artists, Masters, Online Tutors, Home Tutors and the Students will go a long way to effect an efficient delivery of "Drawing & Painting ( D & P ) Learning" over weekends & weekdays, through morning and evening sessions near me in Greater Noida & Greater Noida West.
Following is the general outline of syllabus for college level course of Bachelor of Arts ( Fine Arts - Drawing & Painting ( D & P ) - Year 3 ) :
GROUP - I ( THEORY )
1. HISTORY OF ART - Indian Art
Study of Indian Miniatures Painting, Jain, Rajasthani, Pahari and Mughal Schools.
Western Art – Mannerism, Baroque Art, Rococo, New classism, Realism, Impressionism.
1. The work of Art : Its inner structure ; The topical and eternal work of art
2. Psychology of Artistic creation and Artistic perception.
3. Social and psychological aspects of Aesthetics according to Vatsayan.
4. Shadanga Six limbs of Indian Painting
5. Aesthetics of Shuknaniti
6. Paroksha and Abhasa
7. Baumgartner or Aesthetic Experience, Beauty and Truth, Art and Intellect.
8. Winckellmann on Definition of Beauty, God and Beauty.
9. Lessing on Painting and Poetry, Painter and Poet, Painter and Prerogative moment as explained in his easy “Lao-coon”
10. Kant on Aesthetic Judgment, Aesthetic Experience, Beauty sublime, Beauty pleasure, Imagination, Existence of Material world.
11. Croce on Aesthetic and Intellectual knowledge, Aesthetic Perception, symbols and Metaphors, Art and Morality, Art and Nature, Object and its forms.
1. Kamasastra of VatsayanFirst Year
2. Indian Painting by Percy Brown
3. Six Limbs of Painting by A. Tagore.
4. BharatiyaChitrakala by B.H. Dabhade Chap. III
5. Aesthetics of Shukraniti by A. Coomarswamy.
6. Transformation of nature in Art by Dover.
7. Parokha Ibid chap V
8. Abhasa Ibid chap VI
9. The renaissance by Walter Peter
10. Selections from lectures on Aesthetics in the philosophy of Hegel Modern Library Edition
11. Aesthetics by Yuri Boren
12. Prachin Bhartiy Kala ani Adhunik Jahirati
Lekhan: Dr. Muktadevi Prashant Mohite
Prakashak- Visa Buksa
GROUP II - (Practical)
3. DRAWING FROM LIFE
Drawing from life ( Human forms ),
grace of the figure,
structure and Construction,
Plains of the body and drapery,
shade and light,
Making of finished drawings from different scribbling possibilities.
Study of the anatomy of the entire human figure with the construction of muscles and bones.
4. PAINTING FROM LIFE
Painting of full human figure in various colour media ( Water, Pastel, Oil ),
Human figure in background and in various pose,
understanding of the composition of figure in the space.
Study of light fallen on figure & background.
5. PORTRAIT PAINTING
Half length studies of human figure,
Bust of male and female in different age groups.
Study of head and drapery and the plan of light and shade on it with water and oil media.
Lectures and demonstrations on portrait painting.
6. PICTORIAL DESIGN
Study of composition ( Principals ),
Placement of the elements on the surface,
Identification of compositional problems of each type of painting
Developing personal expression through any style ( Indian / Western ).
7. PRINT MAKING
Introduction of materials and tools,
It’s use for making a design for relief print.
Making relief print from wooden blocks.
Knowledge of registration,
designing prints with more than two colours,
Use of overlapping of colours,
Possibilities of the textural values of various types of materials like wood, linoleum, zinc plate etc.
GROUP III ( Practical ) SUBSIDIARY SUBJECTS
8. * COMPUTER GRAPHICS / ADVANCE DRAWING
Working with paint brush,
Basic design (Geometrical and Freehand)
Study of human figure,
Study of Animals,
Study of figures in action and
studies from the total scene.
Creative & design aspects of drawing with special emphasis on
Nature of drawing mediums.
9 . * MURAL
Methods of plastering & making grounds,
Transfer of Drawing & Painting on wet and dry background.
Different mediums like plaster, Terra-cotta, Ceramics, Stain Glass, Metal etc.
Wise Turtle Academy has kept the pricing budget for "Drawing & Painting ( D & P ) Trainings" very reasonable and as per the industry standards. There is a scope to mutually agree and negotiate upon the tuition or tutoring budget, thus, making it a win-win situation for both the Academy, as well as it's students near me in Greater Noida & Greater Noida West. We encourage the students & residents to come forward and explore our highly effective and efficient "Drawing & Painting ( D & P ) Online Training Classes" being organised over weekends & weekdays, with morning and evening sessions. These are being delivered just next to or near major landmarks.
Following is the general outline of syllabus for college level course of Bachelor of Arts ( Fine Arts - Drawing & Painting ( D & P ) - Year 4 ) :
GROUP I (THEORY)
1. HISTORY OF ART – INDIAN ART
Modern Indian Art :
Company School, Bangal Revivalism, Painting of early decades – Ravi Varma, Amruta Shergil
Callacutta Group, Mumbai School – Progressive Artists Group, Madras School, Delhi School, Baroda School,
Tantra & its influence on Modern Indian Art, Tantras in Print Making.
Modern Western Art :
Post Impressionism, Neo-Impressionism, Fauvism, Cubism, Dadaism, Surrealism, Expressionism,
Abstract Expressionism, Pop, Op and Kinetic Art, Minimal Art.
Section A –Introduction on Art and Aesthetics
(A) Branches of Art and their interrelation Applied Art, Architecture,
Decorative Art, Drawing and Painting, Sculpture, Dance, Theatre, Music.
Section B –Indian Aesthetics
(A) Symbolism in modern Indian painting.
(B) Revival of Tantrik symbols : BironDey, G.R. Santosh, K.C.S. Pannikar, S.D. Palsikar
(C) The Folk Inspiration of modern Indian painting.
(D) The modern school of Indian painting : Essay by A. Coomarswamy in Arts and Swadeshi.
Section C – Western Aesthetics
(A) Sigmund Freud on Aesthetics and psychology of wish fulfillment, Theory of Dreams, It’s influence on surrealistic movement.
(B) Jung on analytical psychology and poetry, and symbols in modern painting.
(C) Clive Bell on Aesthetics Hypothesis and post impressionism.
(D) Roger Fry on vision and design.
(E) Sussane larger on the concept of symbols, form and feeling.
1. Lalit Kala Contemporary Vol. 12
2. Ibid – Vol. V chap. VIII
3. Arts and Swadeshi – by Coomarswamy
4. Man and His Symbols by Carl G-Jung
5. Aesthetics and Post Impressionism by Clive Bell.
6. Aesthetics by Yuri Boren.
7. Prachin Bhartiy Kala ani Adhunik Jahirati
Lekhan: Dr. Muktadevi Prashant Mohite
Prakashak- Visa Buksa
The meaning of PROJECT should be flexible. A student may present his hypothesis related to a particular aspect of graphic design pertaining to a chosen area or related to particular aspect of specialization. It should be based on some hypothesis and not a mere documentation of the references. It should be about 2000 words. It is to be submitted at the end of the year for evaluation purposes and bibliography of book referred to the studies should be given at the end.
GROUP II - ( Practical )
4. PORTRAIT PAINTING
Study of Portraiture ( 3/4th size),
Analyses of Painting in general,
Characteristics of planes,
Study of light & shades,
Study of 3/4th length portrait from models with drapery.
5. CREATIVE PAINTING
Original Painting based on preparatory studies.
Compositional analysis of painting.
Compositional exercises showing creativity & originality.
6. PRINT MAKING
Relief & Intaglio process,
Cutting of selected materials.
Preparation of composition on plate
Preparation of surface, different textures with line and tone. Understanding the chemicals process.
Different techniques of Painting like dry-paint, aquatint, and mezzo tint etc.
GROUP III ( PRACTICAL ) SUBSIDIARY SUBJECTS
7.* COMPUTER GRAPHICS / ADVANCE DRAWING
Computer Graphics – Introduction to Multimedia
Advanced Drawing – Developing Drawing as a medium of personal creative expression.
Preparing a miniature sketch showing full details,
size & proportion.
Different techniques (Indian & Western),
Lectures on methods and possibilities of materials like, plaster, wood, stone, ceramics, mosaic, fiber glass, brass, iron, bronze, aluminum and other mixed
medias. Mural design for a specific building, alternative visualization model making, execution of Mural.
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